She began studying bass-viol with Paolo Pandolfo in Rome, later moving to Basel, Switzerland, where she continued her training at the Schola Cantorum Basiliensis with Paolo Pandolfo and Jordi Savall until 1997.
She has been a founding member and collaborator of groups specializing in medieval, renaissance and baroque music such as the Meister Consort, The Amoroso, Labyrinth, Elyma, Speculum, Orphenica Lyra, Alia Music, Camerata Iberia, Sema, C. J. De Carrion , Albicastro Ensemble. She was directed by well-known musicians including Jorge Fresno, J. Miguel Moreno, Guido Balestracci, Paolo Pandolfo and Gabriel Garrido. With them she participated in important Early Music festivals in Spain, Italy, Holland, Russia, France, Germany, Switzerland and in record productions for Glossa, Symphonia, Meister Musica.
In the theatrical field, she was a member of the CNTC (National Classical Theater Company) for six years. She held the role of instrumentalist in works directed by E. Vasco and A. Zamora. She has also collaborated with companies directed by Miguel Narros, Kiti Manver, G. Tambascio, Pilar Valenciano, Choir Equalizer.
She is currently part the Nao D’Amores company, directed by Ana Zamora with whom she has been collaborating for almost twenty years, bringing on stage a touring show entitled “Nise, the Tragedy of Ines de Castro”.
In 2018, she took part in “Aljaferia 6 Miradas” directed by Néstor Romero, where composers and musicians from various countries and playing different instruments join together in a highly engaging project.
Furthermore, in 2019 she participated in the Post Cards-Sounds for Ireland, a project by Sonic-Gates recorded in Dublin.